Two fingers. One structure. The relationship between them is the point.
This double finger ring holds two bands in continuous tension — not stacked, not separate, but resolved into a single architectural form. Diamonds run the length of the piece, set in 18-karat gold, catching light as the hand moves. The weight is intentional. The scale is deliberate.
Proportion here is not decoration. It is the argument. Where one ring ends and another begins is exactly where the design lives — in that interval, in that insistence on occupying more than one place at once.
