Turquoise holds the earth's interior at the surface. These studs do not attempt to ornament — they present the stone as the argument itself.
Part of the hardstone work that runs through Colette's material philosophy, each stud is set in 18-karat yellow gold, shaped to frame without competing. The turquoise is chosen for its depth of field — that particular blue-green that shifts depending on what the light decides to do.
Two pieces. Identical in form, individual in character. No two stones read the same.
Worn close to the face, where the mineral becomes part of how you're read.
